Giacomo Ferretti, the librettist, wrote in his memoirs how it came to the choice of the story of Cenerentola. The two look at each other and feel strangely attracted to each other. Synopsis: Also Don Magnifico, who just comes from the wine cellar is dumbfounded. Thereupon they all go out, leaving Cenerentola by herself. He wrapped himself in his blanket, stretched out his limbs and, like the gods in Homer, fell asleep peacefully. Ferretti replied, "despite my tiredness, tomorrow morning!" This evening he wants to choose the most beautiful as  his bride, the emissaries announce that he will visit themin a few moments. Giacomo Ferretti took Charles Perrault’s Cendrillon as a basis (which was written 150 years before the Brother Grimm’s version) and partly changed the staff (for example, the wicked stepmother became an impoverished gentry family) and removed everything magical. She wants to forgive her stepfather and his sisters and offers them forgiveness. Ramiro and Cenerentola are married, and celebrate their wedding at the palace. Il cappello e il bastone. They invite the sisters to the castle the same evening. Synopsis: Magnifico wants to know from Dandini when the choice will be made. Cenerentola Eh... Signor sì. Ponnelle was a workaholic and produced over 300 opera productions in 25 years. She sings of a king who married a common girl ("Una volta c’era un rè"). This aria is incredibly virtuoso and difficult. The "beggar" - in fact, his tutor, Alidoro - has informed him of a goodhearted young woman spotted here. Miei rampolli femminini  –  Montarsolo/Abbado. Gabriel Menendez Dandini, valet to the Prince. Watch it in an funny excerpt from the Ponnelle film adaptation. Watch a hilarious staging form the paris opera. Cinderella is identified not by a glass slipper but by her bracelet. The sisters Clorinda and Tisbe admire themselves for their irresistible charm. The supernatural elements that traditionally characterize the Cinderella story were removed from the libretto, simply for ease of staging. Quelques éléments ont également été modifiés. (sorpresa riconoscendo per Principe Don Ramiro; si pone le mani sul volto e vuol fuggire) … The American is doing great masterclasses. He finished the libretto in twenty-two days of breakneck work, and Rossini completed the score in an equally hectic twenty-four days. Nota bene: at the time of composition we are in the post-Napolitan era and the theme of the Restoration is highly topical two years after the Congress of Vienna. Also this appearance of Cenerentola is calm. He was pleased with it.” (source: Wikipedia). Alter ebenerdiger Saal im Schloss des Barons mit fünf Türen; links ein Kamin, ein Spiegeltisch, ein Blumenkörbchen und Stühle So the other would have to marry the valet, which the two reject with indignation. La del ciel nell’arcano profondo  –  Pisaroni. Come un’ape ne’ giorni d’aprile  –  Desderi. La Cenerentola, which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. (Opera La Cenerentola) Teatro Luz y Fuerza, San Telmo, Cap Fed. Her duet with Don Ramiro is by Rossnian standards almost quiet. Elizabeth DiFronzo Tisbe, Don Magnifico… Unable to make sense of the situation, they all sit down to supper, feeling as if they are in a dream. See him from a live recording of the Met. Alidoro sabotages Ramiro's carriage so that it breaks down in front of Magnifico's manor, forcing the prince to take refuge within. Buenos Aires, 2014. He reminds the two, whoever becomes Princess, not to forget him. So all but Cenerentola make their way to the castle. Ramiro, who overhears them, rushes out overjoyed and proposes to her. When Rossini wrote the Cenerentola, he was 25 years old and it was already his twentieth opera. Enzo Dara was a great buffo bass. When Clorinda and Tisbe arrive, Dandini gives them a little test: he offers his "valet" to whichever sister the "prince" does not marry. He was a famous man all over Europe and his greatest success, the Barbiere di Siviglia, was not yet two years old. Her voice with the fast vibrato is very memorable and her interpretation is enchanting, even if her coloraturas do not come close to those of Berganza or Bartoli. This piece is untypical for Rossini. His fast  sung syllables, the Presto-Sillabato, were legends. The piece begins inconspicuously and gradually gains intensity and culminates in a grand stretta. Born in Turin, he studied singing with Giuseppe Valdengo and … Don Magnifico Dalla al Principe, bestia, eccolo lì. I drank another glass of tea, agreed to the price and ran home. Gina Galati Clorinda, Don Magnifico's daughter. Nacqui all affano … non piu mesta  –  Supervia, Nacqui all affano … non piu mesta  – DiDonato. Synopsis: The sisters wake their father. In his fach, Juan Diego is the best tenor in the world. He may even be the best Rossini tenor since the World War II. So he will find her and see who she is and where she lives. Les éléments surnaturels apparaissant dans le conte ne figurent pas dans le livret de Ferretti. But she rejects his advances, she is in love with his valet. He invites the family to a ball that evening, where he plans to find his bride; Cenerentola asks to join them, but Magnifico refuses (quintet: "Signor, una parola"). Ramiro intends to find her incognito. The aria is spectacular: it is peppered with difficult runs and high Cs. Don Magnifico will not allow Cenerentola to go along, however. Alessandro Corbelli made his LAO debut in 2013 as Don Magnifico in La Cenerentola, returning in 2015 as Doctor Bartolo in The Barber of Seville. Synopsis: Also Don Magnifico, who just comes from the wine cellar is dumbfounded. Their stepsister Angelina, who is called Cenerentola (Cinderella) and serves as the family maid, sings her favorite song, about a king who married a common girl. Each of the numbers of this opera is a great piece, especially the ensemble scenes are of the greatest mastery. Ferretti, despite harboring some ill-will against Rossini (the maestro had refused a libretto of his for The Barber of Seville), nonetheless met with the composer and the impresario Cartoni and agreed to join the project. Synopsis: Meanwhile Dandini gives Ramiro  a report about the sisters, whom he calls “arrogance” and “vanity”. This appears in the characters of Cenerentola and Alidoro. While Montarsolo was a formidable actor next to his good voice, Dara had the virtuoso humour in his voice. Synopsis: Magnifico is in his room with his daughters. Ferretti had prepared a list of 20 themes, but none of them were financially or artistically suitable. This opera, as we know it from Mozart’s Buffo operas, is about a social theme, it is a ambiguous comedy. The two sisters are upset about the new competition. Rossini was in Rome and tasked with writing a new opera for the Teatro Valle, to be staged on St. Stephen's Day. I: ‘If I don’t fall asleep tomorrow morning.’ Rossini: “Good night! Don Magnifico, Baron Cenerentola's stepfather. The opera is now considered a staple of the standard repertoire.[3]. Play La Cenerentola (1992 Remastered Version), ACT 1: Noi Don Magnifico ... (Coro/Magnifico) Song by Ian Wallace from the album La Cenerentola. Magnifico tries to win the favor of the new princess, but she asks only to be acknowledged, at last, as his daughter. Scenes with Don Magnifico in La Cenerentola. The Fairy Godmother is replaced by Alidoro, a philosopher and tutor to the Prince. I walked back and forth in my bedroom with my arms crossed and criss-crossed, and when God willed it and I saw the picture in front of me, I wrote down the draft for La Cenerentola. Ferretti worked through the night and had the first parts of the work ready as promised in the morning. Rossini certainly had a smile on his lips when he composed this sextet. Triunfó la música! Dandini tries to stall, but is forced to admit that he's actually the valet and not the prince at all (duet: "Un segreto d’importanza"). Don Ramiro descubre gracias al brazalete que la muchacha que sirve en casa de Don Magnifico es Cenerentola y se casa con ella. Synopsis: Alidoro returns to Cenerentola and invites her to the castle. In the years following Glyndebourne Festival's celebrated 1952 revival, conducted by Vittorio Gui, and recorded for LP by EMI, Rossini's work enjoyed a renaissance, and a new generation of Rossini mezzo-sopranoss ensured that La Cenerentola would once again be heard around the world. Left alone with Cenerentola, Alidoro promises to take her to the ball himself, and that God will reward her kindness ("Là del ciel nell’arcano profondo"). Principe! They take their anger out on Cenerentola. Setting : The mansion of Don Magnifico Range : D3 to E4. To present the Cenerentola as a modest girl, he lets her sing a piece completely without ornaments. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. After the one-time sale of their work to the theater impresario, they no longer had any exploitation rights and had to write new operas on an ongoing basis to generate income. Alessandro Corbelli made his LAO debut in 2013 as Don Magnifico in La Cenerentola, returning in 2015 as Doctor Bartolo in The Barber of Seville. Rossini saved some time by reusing an overture from La gazzetta and part of an aria from The Barber of Seville and by enlisting a collaborator, Luca Agolini, who wrote the secco recitatives and three numbers (Alidoro's "Vasto teatro è il mondo", Clorinda's "Sventurata! You will see another excerpt from Jean Pierre Ponelle’s comedic adaptation. Ah che vedo! The quintet begins with a canon, and then changes into a beautiful contrapuntal quintet, which is first sung out very melodiously and then becomes more and more chaotic until total confusion is taking over. Throughout most of the 19th century, its popularity rivalled that of Barber, but as the coloratura contralto, for which the leading role was originally written, became rare, it fell slowly out of the repertoire. Signora una parola (Quintett) – Bartoli / Dara / Corbelli / Mateuzzi. The facsimile edition of the autograph has a different aria for Alidoro, "Fa' silenzio, odo un rumore"; this seems to have been added by an anonymous hand for an 1818 production. Personaggi: DON RAMIRO, Principe di Salerno (tenore) DANDINI, suo cameriere (baritono) DON MAGNIFICO, Barone di Montefiascone (basso) CLORINDA e (soprano) TISBE, le sue … All these operas are versions of the fairy tale Cendrillon by Charles Perrault. 1 Miei rampolli femminini Popularity: . (scuotendosi dal guardar Ramiro, e parte) Dandini Perseguitate presto Con i piè baronali I magnifici … Inspired by the fairy tale, Cendrillon, Cenerentola follows the story of a young woman who is forced to act as a servant to her mean stepfather and ungrateful stepsisters. This concertato, a standstill, is one of the famous passages of this opera. But Cenerentola gives him a task. Cenerentola… Rossini, who had climbed into bed to be able to think better, sat up as straight as Aligheris Farinata. When Ramiro threatens Cenerentola's recalcitrant family, she asks him to forgive them. No one is there. He has a list in his hand stating that 3 daughters live in the household. A furious Magnifico and his daughters return home, where they order Cenerentola, back in rags, to serve them. Thereupon they all go out, leaving Cenerentola by herself.

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